Friday, February 18, 2005
Blog clash!
hype hype! all the big boys of grime blogging slugging it out on one thread. if you think you've got something to say about grime and ain't up on this thread you get air! :)
Wednesday, February 16, 2005
Rough v smooth
Apologies for the radio silence of late, I’ve been in court. Not banged to rights but summoned to civic duty in the epic surroundings of Britain’s most famous court. It was a thoroughly draining yet incredible experience. Naturally the irony of getting a case steeped in grimey east London subculture was not lost on me. This much I now acutely know: crack fuck up lives. Heroin can cripple the very strongest men.
Bigup Chan for publicly elaborating on the unique predicaments of garage journalism. Speaking personally, one of the things that first appealed to me about writing for magazines about garage when I started in 2000 was the direct contact with the artists. The lack of bullshit PRs, fake sincerity and insipid marketing campaigns was a breath of fresh air. I felt, and still feel, you can actually make a difference, even if it does feel like you’re pissing into the wind most of the time.
Of course this freedom has downsides. Garage people simply don’t accept the liberal middle class ideology that criticism is healthy. It’s never healthy to them, it’s a direct and personal insult. And as you had to phone them to beg a dub (infinitely preferable to being choked by valueless promos), they unsurprisingly have your number - and aren’t afraid to use it.
Put simply if you think you write about garage haven’t had your first threat yet, you’ve not written about garage. It goes with the (rough and exciting) territory and I suspect no amount of liberal bleating to road mans about freedom of speech is going to stop it. I’ve come to accept it. OK make that suffer it. You just have to be careful who you cuss.
Keeping your head down is helpful. “If you don’t have anything positive to say don’t say it at all,” might be criticised as a weak ideological argument but it’s often an argument made by journalists living in cosy gated communities where the worst they have to risk is being removed from a mailing list.
Bigup Chan for publicly elaborating on the unique predicaments of garage journalism. Speaking personally, one of the things that first appealed to me about writing for magazines about garage when I started in 2000 was the direct contact with the artists. The lack of bullshit PRs, fake sincerity and insipid marketing campaigns was a breath of fresh air. I felt, and still feel, you can actually make a difference, even if it does feel like you’re pissing into the wind most of the time.
Of course this freedom has downsides. Garage people simply don’t accept the liberal middle class ideology that criticism is healthy. It’s never healthy to them, it’s a direct and personal insult. And as you had to phone them to beg a dub (infinitely preferable to being choked by valueless promos), they unsurprisingly have your number - and aren’t afraid to use it.
Put simply if you think you write about garage haven’t had your first threat yet, you’ve not written about garage. It goes with the (rough and exciting) territory and I suspect no amount of liberal bleating to road mans about freedom of speech is going to stop it. I’ve come to accept it. OK make that suffer it. You just have to be careful who you cuss.
Keeping your head down is helpful. “If you don’t have anything positive to say don’t say it at all,” might be criticised as a weak ideological argument but it’s often an argument made by journalists living in cosy gated communities where the worst they have to risk is being removed from a mailing list.
Saturday, February 05, 2005
Rinse pressure
Big set featuring Trim, JME, Gods Gift, Riko, Footsie and more on Rinse. Some f**king crazy dubs and aggiest session I've heard in a while. (Re-uploaded from Yousendit).
Tuesday, February 01, 2005
The best tracks we couldn't sign to Run the Road...
DIZZEE RASCAL FT BREEZE AND JAMACABI "WIN"
The "I love girls/I love trance" one. We asked Dizzee: "It's unfinished". A lost classic.
BIG ED FT. DEMON AND BRUZA "THE RUSH"
Contains a large piece of metal. Madonna's lawyers eat labels for breakfast.
SKEPTA FT D DOUBLE E "THUGGISH RUGGISH"
Contains a large Thug and Some bones. Some Harmony too.
STATIK FT D DOUBLE E "SUPADOOP"
The greatest unreleased grime '80s Miami Vice theme ever. Sample probs getme.
WONDER AND KANO "LATELY"
Politics innit.
LETHAL B AND FRIENDS "FORWARD RIDDIM"
Relentless flashed much cash. fairnuff.
Run the Road is out now. Represent for UK street music.
March 4th Run The Road at Fabric
Kano, Wiley, D Double E, Riko, Tailban Trim, Bruza , No Lay, Cameo, Mac 10, Semtex and J33.
SO...
…what would you put on your Run the Road 2? Answers below please.
The "I love girls/I love trance" one. We asked Dizzee: "It's unfinished". A lost classic.
BIG ED FT. DEMON AND BRUZA "THE RUSH"
Contains a large piece of metal. Madonna's lawyers eat labels for breakfast.
SKEPTA FT D DOUBLE E "THUGGISH RUGGISH"
Contains a large Thug and Some bones. Some Harmony too.
STATIK FT D DOUBLE E "SUPADOOP"
The greatest unreleased grime '80s Miami Vice theme ever. Sample probs getme.
WONDER AND KANO "LATELY"
Politics innit.
LETHAL B AND FRIENDS "FORWARD RIDDIM"
Relentless flashed much cash. fairnuff.
Run the Road is out now. Represent for UK street music.
March 4th Run The Road at Fabric
Kano, Wiley, D Double E, Riko, Tailban Trim, Bruza , No Lay, Cameo, Mac 10, Semtex and J33.
SO...
…what would you put on your Run the Road 2? Answers below please.
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